In case of same value, the players roll again. The player has an option to either move two checkers by the value that is present on each die face, or a single checker to match the dice value. He played 2 Backgammon games with his wife, daily.
Backgammon is one of the oldest board games around, and can be played between two players. In casinos, it is almost as famous as card games like Poker, Baccarat, or Blackjack. A player suffers a regular loss when he is able to bear off some checkers before losing. A player can also lose a turn if there are no open points to move his checkers. The values on the faces of a doubling cube are 2, 4, 8, 16, 32, and 64. This has led to many people appealing for it to be treated under stringent gambling laws.
The order in which checkers are placed are: 2 checkers on the 24th point, 3 checkers on the 8th point, while 5 checkers placed on the 6th and 13th point each. The first player to bear off all his checkers is the winner www.thai-m88.com. A winner does not gain points, but a loser loses points. A blot can return in play only on an open point, failing which the player loses the turn. The origin of game dates back around 5,000 years. The current form of the game was adopted in 17th Century England. The checkers move on points in a counter-clockwise direction in a horse-shoe-shaped path, depending on the value of the rolled dice. One half of the board serves as the home board for both the teams, while the other half serves as an outer board. A player must also try not to create his own blots. The points are numbered from the start of the home board of a player as the 1st point, and the start of the opponent’s home board as the 24th point, in a counter-clockwise direction.
A player will lose his turn if he fails to get his blotted checker; that is, the checker on the bar, back in game. If a 1 is rolled, it will be the starting point; if 2 is rolled then the 2nd point, and so on.
An important Backgammon strategy is to try to make a hit on the vulnerable blot in an open point. The faces of the doubling cube increase by the factor by two. 24 points are divided into 4 quadrants, with 6 points each. When a player’s checker lands on an open point, then an opponent’s checker, if one is present, is blotted and moved to the bar, which is the part of the board that divides it in half.
A player has to bring all 15 checkers in play to his home board before bearing them off. This decreases the vulnerability of his own checkers.
The board consists of 24 triangles, known as points. There are 30 discs or checkers, divided into two colors, 15 of each color. The player having a higher die value will move his checkers first. Some service providers also provide this game purely for entertainment purposes, without anyone having to wager anything.
How to Play Backgammon
Fun Fact. The use of a doubling cube started in the early 1900s.
Backgammon is majorly a gambling game. Both players can have the same or separate pair of dice.
To start the game, both players will roll a die simultaneously. It has been modified in terms of rules and strategies. The position that a blotted checker can assume after being back in the game will depend on the value of a die from the rolled dice. However, on occasion, the wagers are increased to 128 and 256 times as well.
Charles Darwin was a Backgammon enthusiast. Players then take alternate turns to roll the dice and move their checkers. In Backgammon, though strategy matters, the game itself is based more on a matter of chance and luck. The blotted checker returns in the game from the home board. When a player has his checker blotted, the only move that he is allowed to make is to get his blotted checker back in the game. The points that the player going first is determined by value of both the dice that were rolled. In case doubles are rolled by a player during the game, then the player has the option to move up to 4 checkers by points equal to value of a die.
The doubling cube was introduced to raise the wagers that are gambled for in a Backgammon game. With the online version now available, the game has become more sought after. When a checker is on the home board, the player has to move the checker by the lower value among the number presented on the dice. A player can deliberately lose a turn if he/she wishes not to move his checker to an open point.
When setting up wagers, each point is specified with a specific value. Generally, wagers are not raised beyond two times in a game of Backgammon. This will increase the player’s chances of handing out his opponent the loss of a gammon or a backgammon. There are many online casinos that offer this game online too. It is just a marker, not a die. If the player was unable to bear off any checkers before losing, then he loses ‘a gammon’, and if a player has one or multiple checkers in the opponent’s home court or on the bar, then, in such a case, the player loses a backgammon.
A point having one or no opponent checker is an open point
In some cases, they were not provided with basic medical first aid. According to their reports, various prominent circuses do not practice what they preach and indulge in cruelty on a routine basis. Such treatment generally has a single point program – to subject animals and sometimes pets to unnecessary harm and pain. It has been said that the scene depicting the monkey had to shot twice, and therefore, two monkeys were sacrificed for movie realism.
The animals in circuses are also routinely and dangerously exposed to various diseases. Elephant deaths in circuses are commonly caused due to osteoporosis. Apart from these, other institutes where abuse is thought to be rampant is the entertainment industry, especially the circus and film industry. We shed a tear on the condition of animals and move on to get that latest collection of ‘fur-dress’. There are many explanations that have been given in support of animal slaughter, but nothing justifies taking away someone’s life – even if the stakes are too high.
In a recent report, People For Ethical Treatment of Animals (PETA) have come out with embarrassing facts about the circus lives of animals.
Possibly, the worst case of animal cruelty in film is the movie, ‘Cannibal Holocaust’. Though the movie waded in troubled waters ever since it was released, it was proven than at least six animals, a muskrat, a pig, a monkey, a snake, a turtle and a large spider were killed for the sake of the film. Due to the inhumane treatments, it has been proved that circus animals are dying at a higher rate than they are breeding. Tight collars, whips, beatings and torture are the order of the day for the animals of the circus. One such rapidly growing concept is animal cruelty.
Animal abuse simply put is cruel unwarranted treatment of animals. No institute or individual looks after the training sessions of the circuses. Elephants suffer from osteoporosis simply because they do not have wide spaces to move around. While abuse amongst individuals may either be existent in a lesser manner or go largely unnoticed and uninformed, various institutes involved in factory farming, fur farming and animal testing are accused of animal cruelty. Circuses have known to keep a large amount of topsoil ready, to camouflage the wounds and the blood on the elephants.
Some elephants have also suffered from lameness, arthritis and food abscesses. .
PETA also says that the behavior of the animals during the circus shows is not at all natural, in the sense that tigers don’t hop around and then lay down in unison, elephants don’t walk trunk to tail and female elephants don’t mount each other. This general concept has now given birth to the thought of a ‘animal-free’ circuses. The definition may be anything between comprehensive and non-existent. The circus industry is said to have rampant cruelty towards animals. Animal cruelty is an ambiguous term and the terminology depends from region to region, state to state and country to country. Tuberculosis is seen as a major disease for the elephants in circuses.
Despite widespread concern and condemnation, animals are subjected to enormous torture and abuse. One major type of animal abuse is torture. These governance and rules rise from general disgust over happenings and concepts all over the world. Countries like Sweden, Costa Rica, Austria, Finland, India, and Singapore have come forward and banned or restricted the use of animals in circuses. Some instances show that the elephants were not treated medically for wounds inflicted during beatings and other natural causes. All this is possible only by extreme training, which may translate into extreme torture.
As humankind has progressed, there has been an increase in governance and rules and regulations of everyday life. It is not only the responsibility of the government and NGO’S to fight for the welfare of these creatures, but as a society, the onus is on us to make a collective effort
But when it comes time for writing, you want a long transcript of explanation to work from, to give you more context. An entrepreneur called me out and inspired me to develop a better way for a smart, busy person to turn their ideas into a book — in their words and their voice. This is not actually a new idea. You’re interviewing to turn your spoken words into content, not just to get the information. Each step is a clear action for you to take, and if you take them all, you will finish your book. That is boring and wrong.
Step 3: Interview and record yourself. We replace most of the typing in the standard process with talking. That way, they’ll prod you and ask questions to make sure your words are clear for a layperson. That is never an answer to this question. Branson is not stupid, nor is anyone else with dyslexia. You can focus on a specific plan of action that will get you what you want.
Story prompts are much simpler. It’s just that his brain is not optimized to read or write text. In many cases, everything you have above will be enough. The hardest part of your book to write will be the introduction. We emphasize this — ask for examples, several times, because it is very important. There are a number of ways to do this, but there is one process that has proven to be most effective for us and our professional editors.
Probably because the process for writing a book takes too much time and is needlessly complicated. In the same way that the book’s introduction is vital, pay special attention to your chapter openings. He, and others with dyslexia, are never able to efficiently develop those functions.
At least one person, and probably many more, want to learn what your book can teach them. So, for example, if you say your goal is to just have a book that you can put on your résumé and maybe sell at your current speaking gigs, then ask yourself — if the book comes out, sells no copies and gets no attention, but it looks very professional, and you can sell it at speaking gigs and put it on your résumé, would you be happy with that result? If you can honestly say yes, then great, you’re done. Ultimately every paragraph, and even every sentence, should serve a purpose.
On the other hand, people don’t share books that make them feel stupid, make them look low status to their friends or are hard to explain. His volumes of letters and correspondence are all rightly authored by him, yet he wrote none of the actual words down.
The reason that reading your manuscript out loud works so well is because you will catch dozens of things you would have otherwise missed.
You’re finished with the hardest part — the outline process — and now you’re ready to start with the fun part — the interviewing.
Apply the same basic questions to the paragraphs. Keep in mind, you don’t want to make it seem like the whole book was a lead-up to a self-serving pitch for the author’s own company or services. This process is perfect for entrepreneurs, because it only works for the types of books that entrepreneurs write — non-fiction, informational, how-to books that involve some personal storytelling to display their knowledge.
The meat of your book should be pretty easy to write. This process is not complicated. Even if you already get it, ask them to make the connection explicitly. In your manuscript, you want each chapter to connect to the following one, but you also want each section within a chapter to connect. You think about how buying this book might help you. Like Graham says, hearing yourself speak forces you to notice bad or strange phrasings — even if you don’t why it’s off, you know it’s off.
What is support?
Ideally, someone else will interview you. The underlying message of the call to action — now that you have all the tools, go out there and use them!
Transitions are key. Most entrepreneurs and business owners don’t make their money from book sales. It’s a simple Google Doc that is not editable, but you can copy and paste that template as many times as you want and put it anywhere. Ask them about the one interaction, the day they had to stop, the worst, the first, the best, the one time. Cut them.
Did I leave out anything necessary to understanding my point?
Support is just some fact or set of facts that helps you remember what it is you want to talk about in that section. In other words, support is useful when the answer isn’t something that you’d be comfortable explaining off the cuff.
Also, please do not think that everyone is your audience. They were not the esteemed thinkers and influencers of their era — what we would now call a thought leader. You could just record yourself talking, but it’s not easy to talk at length about your ideas in the best way possible. It’s also more formal and distant, which gives the reader’s attention permission to drift. I know this seems really counterintuitive as well, but we aren’t telling the process that sounds best. Just ask yourself — who has to know about my book in order for it to get the results I want? This might only be one group, or it might be a few related groups of people. You’ll soon see that transcribed audio is not English. We are serious about this. For example, if you were an author writing a book about how to drive traffic to a website, you need to find an example of how your business suffered when it didn’t have traffic to its site. Once you get them excited about what they’re going to learn — which is the point of the introduction — your job is done. Even though it’s probably a small audience, those who read the book will be very interested in it.
Step 1 — Position your book. Now I’ll explain each section of the outline, the purpose it serves and how best to set it up. Look for phrases that serve no purpose other than draw out the sentence — like in essence and basically.
The Book In A Box Method uses the exact same principles, and updates them with modern technology and storytelling techniques, to enable you to write your book much faster than the normal process.
What are the main points you want the audience to take away from your book? This should get all the main points you want to make in your book out of your head and onto a list. You’ll feel overwhelmed. Your interviewer will use the outline as a guide, and ask you questions about the content of your book. What matters at this point is that you stop editing and put the book out.
From the first sentence, the author should hook the reader into the book. It’s very far from what you’ll wind up with ultimately. You should make sure the stories are specific and highly relevant. We use the syntax “Story: [INSERT PROMPT]” to indicate the appropriate place for a story. You have an obligation to yourself and to your audience to stop editing and put the book out. The market had crashed. No one pays attention to that. But the answer to this question is generally pretty simple, assuming your goal is clear.
Some other editing notes and things to keep in mind as you edit:
In fact, this is an appropriate place to direct readers to specific resources. If you don’t stay with the outline, and just haphazardly jump from random thought to random thought, you might get great material out, but when it comes time to put it in the right order and into a book, it will be a mess.
Make sure you explain everything completely. This makes the process much easier, drastically reduces the amount of time you spend at a keyboard typing, but still ensures it’s your words and your voice. Obviously you should not literally act like a child, but it’s crucial to get into what the Buddhists call “beginner’s mind” and forget all of your assumptions. People who did the writing were called scribes. The most important part of the interviewing is make it like a fun conversation. We see this all the time at Book In A Box. In fact, they were considered artisans with a skill, like a lawyer or a mechanic. If you do this, look for sentences or stories or claims or other statements that jump out at you. There are an infinite number of ways to record yourself and a number of services you can use to get that recording transcribed.
We recommend you go paragraph by paragraph, rewriting each one above (literally on top of) the transcription of the same passage. Again, mostly paraphrased from Blumberg: “You want answers that are real and authentic. Paul Graham explains why: Written and spoken language are different. This means you explain to them why they should care about what you are about to tell them in the book and how it relates back to the emotions they felt from the hook.
Like I said before, laying down your first draft this way, instead of typing, has major two benefits:
This is the answer to the second question — the specific audience you want to reach.
“Translate” the audio text into book prose.
Instead of sitting at a computer and typing, you will now be interviewed. The more honest and emotionally intense the story, the better. In fact, it’s quite the opposite. Generally speaking, positioning is figuring out where in the market the book fits — what the book is about, who the book is for and what result you want from the book.
Manually edit: Make changes directly in the document.
Now that everything is organized, you’re going to turn your audio transcript into book prose. It can be whatever they want it to be, whatever feels natural.
Openings matter. Why not?
Conclusion. The audience you need to reach is directly tied to the results you picked, and you can reverse engineer precisely who your audience is by understanding who needs to know about your book to make your results happen.
But this is not about just giving the reader simple information. You, and the other person, will inevitably hear errors and phrasings you want to change and sentences that sound off you want corrected. Give the reader an easy-to-understand and repeat summary of your book to leave with.
In terms of the recording process itself, technology these days makes it incredibly easy. You will record this set of interviews, get it transcribed, and after some editing, that will end up becoming the rough draft of your manuscript.
Having a table of contents in the outline helps you organize your thoughts and see the progression of the ideas easily.
The answer from writers has always been, “The only way to write a book is sit down and type for as long as it takes.” I’m a writer, and I used to say that. This is why support is optional. To overcome that, you must appeal to the self-interest of your potential reader, identifying what about your book will interest them.
What does this mean your book should be about? This should be a very short statement that summarizes the book subject at its core. Chapters divide your information and wisdom into digestible chunks for people. Oftentimes, it’s not quite this obvious, but when the purpose of a chapter is to make a point, the subpoints are usually the support for that point.
You should know how many different documents you’ll need, using the outline as your guide. Either works fine.
Ask yourself what questions need to be asked and answered in order to prove the point that the subpoint is making? Often, these are focused on “Why is this true?” and “Why is this important?” It’ll also include any questions necessary to pull the relevant details. For example, don’t say “Why did you become an entrepreneur?” That will usually only get a broad, generic answer that doesn’t get into specifics. If you simply manage to write in spoken language, you’ll be ahead of 95 percent of writers.
To do this, you really need to talk about specific times something happened. This is especially true for things that include lists, details or very open-ended questions. Questions like:
How did that make you feel? (Sometimes you will need to encourage people here, especially if people aren’t used to talking about their emotions.)
If the old you could see the new you… For example, in James Altucher’s bestselling book Choose Yourself, he begins with these lines — “I was going to die. Assume this will take between three to six sessions of no more than two hours each session.
Staying with the outline Is crucial. The point is you need to physically type your new chapters, paragraph by paragraph, and not just edit the existing chunks of raw transcription.
What is a call to action, and why use it?
Certainty of process.
Always do one last read through of your manuscript, make your last minute changes, and then move on. You do this by orienting them to the material you are about to give them. So be sure to ask “Why?” and “Can you explain what you mean by that?” or “Can you be more specific?” often.
Make sure you feel comfortable. Often, they are only about two to three points, but when each is broken down, they make the point effectively. Even the most long-winded among us are prone to mental shortcuts in our speech. You’re still going to spend time at a keyboard, but it’s about 10 times less than the normal book writing process, and it’s mostly editing and rewriting.
The special problem of the introduction. Starting with an attention grabber — a short story, example, statistic or historical context that introduces the subject in a way that is interesting and exciting — will engage the reader and compel them to read more and help lead into the rest of the material.
Interview best practices. This is the closest thing you’ll do to conventional writing in the process, but it’s more like translating.
Now that you know it sounds good and reads well, you have one job — make sure the book says exactly what you want it to say. This is because broad subjects, like general life advice, tend to not only be well-covered already, but also tend to not be very actionable for people.
It’s much better to read and absorb the spirit of what each paragraph of transcript is trying to say, and then start fresh with sentences that make sense on the page. If nothing jumps out, look through the clarification material and ask yourself a few questions. If it doesn’t make sense to you, it won’t make sense to the reader either. Yes, they are simplistic, but in all seriousness, simple questions work the best. People need to understand the big picture and they need examples. Not because they are stupid or lazy or unskilled. But unless you are really knowledgeable and already an expert about this subject, and you have an angle that has never been explored, it will be very hard to convince people that your book about happiness — as opposed to the 70 already out there — is the one to read.
Read through the outline for the chapter in order to refresh your memory about exactly the point the chapter is making.
Read through the transcript quickly, to recall exactly how you made all your points.
Go through one paragraph at a time, read it, and then rewrite the paragraph.
That’s why we, as a general rule, want our author clients to restate the thesis from the introduction, and then summarize each main point in the clearest, most concise way possible. Famed entrepreneur, radio journalist and producer Alex Blumberg says it better than we can — “When someone starts talking about something difficult, when they get unexpectedly emotional, your normal human reaction is to sort of comfort and steer away. Does that make written language worse? If you want people to read and understand what you write, yes. How many really intelligent and accomplished people do you know who have great ideas, but hate writing? Writing is a specific cognitive skill that is totally distinct from thinking and wisdom. Think of your writing like a mathematical proof. No one has talker’s block. Once these are all plugged in, we should have the logical flow of the chapter.
What does this have to do with the topic of the book — which is finding success, by the way? And why does Altucher want to kill himself? I have no idea, but after that beginning, I’m interested, and I’m going to keep reading to see what he does.
Manual editing. As you read every sentence, ask yourself these basic questions:
This is the answer to the first question — the results you want from the book.
First, I’ll show you an example outline, then explain each section and what needs to go in it so you can apply it to your own book. To achieve this goal, you need to generally do three things in the introduction:
Now that you have your transcript, your first order of business is to take that master document and organize it into easily workable chunks. It was the thinker, not the scribe, who was celebrated.
If you feel something is off, and aren’t sure how to change it, that’s fine — just mark it the first time through. Even if it is not perfect, get the book out there. I’ll explain both.
Question 3: Why will your audience care?
Subpoints. You are not looking for a generic story in these points; rather, this should be a story that fits precisely here and shows something you are trying to display.
Remember, it may not be easy to see what the hook should be. You can just set the phone in front of you on a table, or put in the earbuds that came with it. If you are attempting to make a mathematical statement, one theorem or axiom has to set up the next. Do not think you can finish the recording in one long session. We recommend you print out each chapter, and read it out loud, to another person, off of that page. The first time reading it, you just want to hear the problems, so you can go back and fix them on the page later.
Divide into chapters, subpoints and prompts. Make sure that your thesis statement is so clear and simple that even a seventh grader could identify and understand it. Thus, your book topic is wholly dependent on what you want it to get for you.
For thousands of years, writing was a specific job, very different from thinking. Do you ever think about the author’s concerns? Of course you don’t. It should be framed more as an interesting sales pitch rather than an informational piece, though it does serve both purposes. The more effort you put into the outline, the less the reader is going to notice or be conscious of the organization of the book, which is what you want.
You can absolutely have multiple audiences that the book will appeal to, but generally speaking, the more audiences you try to reach, the worse your book will be. If you want your book to establish you as a thought leader, your audience is the people who care about the issues relevant to your space or the influencers in your space. When we say take some time to rest and relax, we’re actually very serious.
Again, don’t worry about being perfect as you’re going to come back and do a full edit later. A good way to really nail yourself to a specific result is to create a scenario that meets your stated goals, but fails in all other regards. The subpoints are the pieces of explanation and support for the point you are making. We’ve used them for two years, and they do an incredible job.
But that’s not true for entrepreneurs. These instructions are intended for the interviewer, so have the person who’s asking your questions read this section. This is very different from most outlines. He used scribes to record almost every single line in all of his letters and books. When your friend is talking in the clouds and very theoretical, ask for examples, especially personal ones. You want an interviewer who is interested in the topic, but doesn’t already know too much about it. It can only help you and your audience when it’s published.
It will feel amazing to get through the first rough draft, and you should congratulate yourself and take some time to rest and relax.
Show their pain and the pleasure. If you hem and haw and equivocate, then you need to drill deeper and make sure you nail down precisely what other goals must be included in this scenario for you to be satisfied with the result.
Question 2: Who is the audience?
Follow these steps:
This is the answer to the third question — what you say is interesting and valuable to your audience and why someone in your audience would want to read this book.
What’s the best time you ever [insert topic]?
What’s the worst example of [insert topic]?
What’s the first time you did [insert topic], and what happened?
What’s the most scared/happy/etc.
The actual purpose of a good introduction is to engage the reader and make them want to read the book. If the purpose of the chapter is to make a more subtle argument, the easiest way to arrive at the subpoints is to write up a short paragraph that explains that argument. It might feel embarrassing or weird to say you’re writing a book to be recognized for your contributions to a field. This means literally beginning the book with a hook line, even if the reader doesn’t understand how the line is relevant to the book. Having a conversation about things you know is almost never a problem. But in some cases, you may need a prompt in order to remember everything you want to say in response to a question. Each chapter should have a clear goal that is stated directly for the reader, in the same way the overall book does in the introduction.
If this is not possible, we recommend using your internal microphone on your computer and the software that came with it. They want to dive in, so end the intro and start the book.
Related: The Authorpreneur: 3 Paths to a Lifetime of Success
For example, if your goal for the book is to help you book keynote speeches at major HR conferences, then the requirements for your book are very different than if your goal is to write a book that establishes your credibility and authority in a specific field so you can build a consulting business. What is the most interesting story or claim in this book? What sentence or fact makes people sit up and take notice? What is the intended audience going to care about the most, be most interested in or shocked by? You need to find a way to start the introduction with any of those points, preferably in a way that is interesting, reverses some common idea or makes the reader take notice in some way.
On the outline, the chapter will include all the discussion and explanation you need for that point, divided into subpoints and stories you want to make about that specific point. In fact, you probably need write a book.
Open up all the new documents.
Title each one with the title of the chapter.
Copy and paste the outline sections from each at the top.
Put in the entire audio transcript for each chapter below that.
Tell them what they’ll learn — make thesis statement.
Once you have the reader’s attention with hook material, then the introduction should show why the information in the book matters to them and why they should be paying attention. It’s crucial to try to stay in sync with the outline. A focused book that is very appealing to a small audience is usually much more valuable to an entrepreneur than a broad subject book that is only marginally appealing to a lot of audiences. You read your manuscript out loud, and mark changes as you go. Often you’ll have many different results you are looking for, and some take a while to come out.
We start with an editing process that’s not commonly taught, but is a secret trick of numerous bestselling authors. In math, there is no obscuring with pretty language. People pay attention to stories, especially stories that resonate with their personal pain and conflicts and solutions that provide relief and pleasure.
Some authors may feel uncomfortable including such a direct appeal to readers. To say, ‘Oh I’m sorry, let’s move on.’ What you need to do, if you want good tape, is to say, ‘Talk more about how you’re feeling right now.’ It feels like a horrible question to ask. Even if you’re capable of extrapolating the point of what you’re saying, it’s worth having it on the recording so that the detailed explanation comes through on the transcript. This is so, so important: If you are confused at all, the reader will be too, so make sure you ask for more information, because they can’t.
Make small answers big and big answers small. It’s because the way we tell people to write makes it an unusual cognitive task that requires deep, specialized skill. It’s not enough to list facts and figures. Mark any clear mistakes you see, or places you want to possibly edit, with a pencil.
Read aloud editing. More content is better than less, so it’s okay to be repetitive, just cover each answer thoroughly. A clear summary of your points is possibly the best thing you can do to not just deliver value to the reader, but also make the book memorable, which helps you sell more books. If you want clients for your CTO coaching business, chief technology officers (and the people who know them) are your audience. For example:
Think carefully about who you want to help you with this task. When they are making assumptions, don’t be afraid to ask obvious and simple questions that a child would ask to get the right information out of them. To get these sort of answers, you need to ask questions that make people answer your questions using stories or emotion. If it’s something you would never say to another person, it tends to not read as clearly. Yes, you want it to achieve all of the goals outlined above. For example, if your book has an introduction, six chapters and a conclusion, you should end up with seven different files.
This is a simple formula, and virtually all the best books you’ve ever read have an introduction that follows this exact process. This is wrong. The cost is $1 per minute, which is standard in the industry. There are many authors who like to be subtle about this, or “bury the lede.” Please do not do this.
Hook the reader. We detail this process in our book, The Book In A Box Method, and we created a company that offers this as a service.
If you’re an entrepreneur and business owner, you know you should write a book. You’ll literally get interviewed, like you would for a news article, except it will take longer. This makes it simple for you to talk through your ideas during the interview and provide the content for your book.
Compare this to a book about a broad, general topic, like “how to be happy.” You might think everyone cares about being happy, and that is true to some extent. It feels like you’re going against your every instinct as a decent human being to go toward the pain that this person is experiencing.”
Put yourself in the reader’s mind.
But with some books, you might want to go even further here and end the conclusion with a call to action. Here’s a very short list of people whose words still move the world, yet they never wrote anything down themselves.
I could go on, but you get the picture. That’s part of the editing process.
The next stage in the process is organizing your book positioning into an outline.
Author goal(s). You do this by cutting and pasting each part, or chapter, into its own separate Word file. If you were teaching the ideas in your book to someone else, what would the major steps be? That’s all a chapter is — a singular, distinct point you are making.
Generally speaking, people actively share books if: it makes them look smart, successful, or high status; they took a lot of value from the book; in some way they associate the book with an identity they desire and want to broadcast to the world. Humans have been talking for at least 200,000 years, but we’ve only been writing for about 10,000 years, at most. There is only a wrong or bad book for certain goals.
If you are eager to get started, you can skip this introduction. I will link you to a template you can use, too.
The introduction should end with a very clear and concise statement of what the reader is going to learn in the book. Pain induces action. Even very fast writers are lucky to get 500 usable words in an hour.
Though the first sentence must be good, the rest of the page and initial story must do the same thing. What causes it doesn’t really matter. The writing skill is a totally different skill from having ideas and wisdom to share in a book.
Make sure you tell your best stories, and sometimes you have to use specific modifiers to remember them. Once you’ve established the pain, the orientation material should show them the pleasure that comes from taking action. If you obsess over the manuscript for days on end, without giving yourself time away, you won’t do as good a job at revisions.
What do you use to record the audio?
Socrates never wrote anything down; Plato recorded his words.
Jesus Christ never wrote down a word; his apostles did.
Buddha never wrote down any of his teachings; his disciples did that for him.
Marco Polo told his cellmate about his travels while they were in jail, and his cellmate (who was a scribe) wrote them down.
Winston Churchill dictated most of his books to his secretary.
Malcolm X dictated his iconic autobiography to journalist Alex Haley.
Part of the problem here is that some results are things people feel uncomfortable admitting to. Tell specific stories. This allows you to easily sync up the audio transcription and the outline, which will make editing substantially easier.
Obvious subpoints of the chapter. For most outlines, nothing about questions is mentioned. Nobody would return my calls. These are the exact steps we recommend going through for each chapter:
Take photography as an example. If you were interviewing just to understand the point yourself, you could do it very quickly.
Rewriting is OK. Almost every smartphone enables you to record yourself talking, and we recommend you use this method because it’s so simple. Ceasar had scribes record his thoughts as he spoke them out loud, and then he signed his name to it. But you should have one. Questions like “Why did you do it that way?” or “How exactly did you do that?” or even “What was the purpose of that?” create great prompts. A key point to understand — before you get discouraged — is that there is almost no such thing as a wrong or bad goal. The best place to start is with questions that are very simple, open-ended ones. Written language is more complex, which makes it more work to read. The purpose was not to do the writing for you. We’re telling you the process that works best.
The sentences that make up the logical flow of the argument. Sometimes, ideas require expansion to connect properly. Don’t just smile, nod, and move on. This will give you a fresh perspective when you come back and begin the final edits.
Table of contents. We mean this literally — ask yourself these questions, each time. They’re your ideas, after all.
What’s great about doing it this way is that you’re not facing the “blank page” problem. Just come back to the outline if it gets off course.
Use simple questions (or pretend you’re an 8-year-old). You will never face a blank page, and I’ll never tell you to “just write.”
Once you know what you want from your book and who the audience for your book is, you can determine precisely what your book has to be about. The purpose of the transcript is to lay out all the ideas in the right order, so you always know what to say next. Entrepreneurs with great book ideas would ask me sincere questions about how they could make the book writing process quicker and effective, and I would pretentiously lecture them about hard work.
For traditional publishing companies, the only positioning they care about is what a reader would buy. Why not book writing? Why can’t that be made 10 times easier, like photography and music?
This post will walk you through each step of this method, in detail, so you can finally finish your book not just much faster, but also better.
The act of writing is very hard for most people. With the call to action, the author usually adopts a different tone, not just more explicitly inspirational but also framed as an imperative.
Positioning conclusion. You should break this up into multiple recording sessions. Give yourself at least two to three days away from the manuscript to clear your mind. There will always be more to work on, more to change, more to perfect. You are writing a book because you expect to get something out of it. He spent his time thinking and doing things, not writing. We actually recommend that you do the introduction last, after you’ve done the rest.
We recommend a two step editing process. In essence, publishers only cared about books that had the potential to sell a lot of copies, because that’s the only way they make money.
Doesn’t this seem wrong to you? The process for writing a book is almost the same as it was 50 years ago, except you type on a computer instead of a typewriter now.
Hook the reader — what is interesting about the book?
Entrepreneur magazine asked me to detail our exact method in this post, so that you can do it yourself, at home, and finally finish the book you know you need to write. When they’re just telling stories, or just giving you specifics about step-by-step processes, pull back and ask about the bigger lessons, about how this fits in with the rest of the book and the lessons it’s teaching. These are things that we’ve found to be true in the past. This process allows you to break it out into easily achievable steps.
Answer these questions to know why you are writing your book.
Tell them what they’ll learn.
Think of it this way. But that thinking will kill you. The best example of this is dyslexia. You’re losing money, clients and business every day that your book is not written and out there.
Plan out multiple interviews ahead of time. Each chapter needs to be broken down into subpoints, questions, stories and support, if needed. This is a prompt for you to tell a story that is relevant to that section.
Do not proceed to the next steps until you have the answers to these three questions:
Basically, if it’s something you would say out loud, then it usually reads clearly on the page.
Step 4: Creating your rough draft. But you do want to take the opportunity to send the reader off in all the right directions, equipped with all the information they need.
Speaking replaces (most) writing. Look for the points you are making, and rewrite the content based on those points.
This is not a small point, and in fact, this is possibly the most crucial part of this process. Some of the smartest, most accomplished people on earth — Richard Branson, for example — can barely write an email. We recommend one service specifically, because they make everything so simple — Rev.com.
This is where the outline starts to really take form. We have to almost pry the book out of their hands so that we can finish it, even though they don’t really have anything left to change.
Here’s the thing about conclusions — not all books need them. It’s OK if you need to rewrite certain passages again. You must be specific. Show them why the results are so amazing and that the goal is worth the pain.
The two-step editing method. You never have to sit down and figure out how to not only get your ideas down, but also structure them and refine them, all at once. More tunes have been unleashed because of amazing new tools that makes production easy and simple. Both high level theory and specific details are important to books, so make sure you get the author to provide both.
Use questions that elicit emotion and personal reflection. (The transition: What did it mean to them?)
If you had to describe the debate in your head, what would each side say? (This will give voice to the interior drama and break away from the “canned conversation” type answers.)
What do you make of that? (This is a question Ira Glass uses all the time.)
Example of a powerful question: Would you have loaned yourself the money?
Then shut up and let them answer the question.”
Time to transcribe the audio. And here is the Book In A Box outline template. The best way to get specific stories is to ask about specific events. That’s precisely what your audience is going to do when they see your book on a shelf or Amazon or on their friend’s Facebook page. No book idea appeals to everyone, not even Harry Potter or The Bible. This comes into play if the chapter covers some set of separate but related ideas, like “Ten Ways Doing Handstands Improves Your Health,” then the subpoints are those ten reasons. What you know that your audience will find interesting and take value from is what determines the content of your book.
Clarity is the key to non-fiction, and your job is to make sure your wisdom is clearly understood by the reader. The more clear you are about the specific results you are looking for — business leads, client consulting gigs, attention — the more you can guide the book to get that result.
The double check question: Create a worst-case scenario.
Steer into difficult emotions, not away from them. And you may need to add transitions or connections that aren’t part of the transcript.
Take one of the most prolific authors of the Roman age, Julius Caesar. There are two standard ways we create the subpoints:
Question 1: Why are you writing this book?
Think about yourself as you decide to buy a book. If you are interviewing yourself, then these same best practices apply, they’re just more difficult to implement:
Most people read non-fiction because they expect it to provide a positive impact or ROI in their lives. A lot of people have writer’s block. Then apply it to the chapters. The internet had crashed. By knowing specifically what you want the book to accomplish, you won’t get bogged down by trying to be everything to everyone. If the book has a whole new take on an old industry, sharing it with their friends will make them look smart, educated, and well-read. This is not a song, the audio does not need to be perfect.
The orientation material should not just be factual, but also personal. We finish the rough draft and give it to the author for their edits and feedback. That’s the way to get stories. If you want to develop a speaking career, your audience is the people who book the events where you want to speak.
I’ll walk you through each one.
Another thing to watch out for is trying to accomplish too much with the introduction. It makes things easier and results in a better book. Attempting to edit it will drive you crazy. Think about how people will talk about it, and position it so that they will eager to share.
Why will they care? What will your book say that’s interesting and valuable to that audience?
You can transcribe the audio yourself, but we do not recommend that. Note –these arguments do not need to be complicated. Those are the subpoints.
Answer these questions to know why your audience will care about your book.
For the Book In A Box Method, we’ve adapted the positioning process so that instead of serving the needs of the publishing company, it serves your needs. You can list more than one reason, but make sure you are listing the reasons you’re writing the book, not wishes you have that it will create.
What specific result(s) must I have to make this book a success for me? This question forces you to nail down a specific, definable result you want from the book; one that will make it worth your time to write. Set the manuscript aside for at least a week, ideally two weeks. Nothing turns off a reader more than an introduction that never ends. Interviewing using The Book In A Box method is different than the way a journalist would interview a subject. You are telling the audience, here is how you are going to do this, I’m going to walk you through it, step by step by step, until you understand how to do it.
Here are some tips and ideas to keep in mind while interviewing.
Why do I want to write a book? It is easy to fool yourself here, so be careful. I had no friends. A normal conversation is usually about 8,000 words an hour. It’s just you explaining things you know, telling stories and talking about what you have talked about many times. A call to action doesn’t have to come across in a superficial pep-rally way. Transcription tends to jump schizophrenically from point to point, and it reads very differently than it sounds, so trying to bridge those gaps can be awkward.
What point am I trying to make in this sentence?
Is it clear?
Is it as simple as possible (without losing meaning)?
Is it as short as possible (without losing meaning)? (Note: You can break this down even further by looking for unnecessary words that could be eliminated without any effect. The answer to your questions should be something clear and definable, not ambiguous. This one is a little trickier, but it works really well.
How to do your final editing pass. In fact, even if your friend is a brainiac, you want them to “play dumb,” so to speak. It’s preferable to call on someone who doesn’t know the subject matter in and out. This sounds crazy, but it works. If you stay with the outline as you ask questions, then your answers will generally be in order in the audio recording. But you still want to keep it as concise and streamlined as possible. To position your book, you must answer these three questions:
This can be driven by many different forces such as perfectionism, fear of publishing, fear of success or fear of failure. Here’s how you can do it:
If you’re unsure about what your goal for the book is, read this piece about the mistakes that authors make when framing the results they are looking for, and how to better frame .
Once you get the transcript of your audio recording from the transcription service, you will start the process of turning that audio transcript into readable book prose. It’s a real outline of a real book that we did for one of our clients. Expensive, complicated cameras have been replaced by simple iPhones.
We replace writing with talking in the book writing process because talking is the natural way to communicate ideas and information between humans. They make money from other things their book gets them — business leads, paid speaking gigs, consulting jobs, coaching clients, attention, authority and visibility.
Anticipated audience(s) and their benefit from reading the book.
Get the best stories by asking about specific trigger events. Don’t make the recording more complicated than it needs to be. We assume far too much knowledge on the part of the reader, and we often forget basics because we’ve been doing something so long. You need to be able to answer the question — why does your book matter to them?
Who will care? What audience must you reach for the book to achieve your results?
Read aloud: Read the manuscript out loud — preferably to another person.
Well, I stand corrected. Feel free to explore any tangents you’re feeling. This is just getting to the rough draft stage — getting something down that you can come back to and perfect later. It will wear you out, and you’ll end up skipping things. Some people prefer to do it side-by-side, in two separate Word documents, which is fine too. Now, most books are published outside of the old traditional models, and most non-fiction books are not monetized directly. But you’ll never get that if you don’t acknowledge it first.
What is The Book In A Box Method? A quick introduction. This should be no longer than a sentence or two.
The double check question: How will people describe this book to their friends? We use this when an author will insist on a certain angle or idea that we know will not work. Just proceed to Step 1.
First, get organized. A book about how to set up a pop-up retail experience has a clear audience. Create value for the reader, and you are creating word-of-mouth advertising.
There are two simple principles that make this method so efficient and effective.
Once you’ve read the manuscript out loud, marked the changes and done one full revision pass, then stop thinking about it for a few days. They spend six months with it, not really making substantive changes, but instead get lost in details, like fretting over very small word choices. Don’t be general. You never have to figure out on your own what to do next. What would they want to know next? What do they have to know in order for them to understand what your friend understands? What questions will they have, and are you asking them? Make sure that everything makes sense. And it’s so easy to do: just don’t let a sentence through unless it’s the way you’d say it to a friend.
In fact, many authors wait until their book is at the rough draft stage to finalize what they will use as hook material.
What result must the book produce to make it a success for you?
What audience must you reach for the book to achieve this result?
What will your book say that is interesting and valuable to that audience?
Step 2: Create your book outline. It defeats the whole purpose of saving time. From this list, you will later organize and create the book outline.
What, specifically, will your audience get by reading your book? How does your book help your audience achieve their goals? Push yourself to focus on specific statements of value that the book will deliver to your audience, not broad, oblique wishes. We found that pretending you are an 8-year-old is a great way to get in the mindset to ask these types of questions. How could this be? Other creative fields that used to be incredibly time consuming have been simplified and democratized, but not book writing.
Simply put, the questions and story prompts are what you put in to prompt the interviewer to ask you the right questions — to make sure you can talk about your topic. It’s counterintuitive, but the trick is to go slowly in order to finish quickly. The goal is for them to get more information out of you than they need.
The promise/value proposition/quick summary. That conversation turned into a completely new way to write a book. Why did he use scribes instead of writing it himself? For the obvious reason — his time was too valuable to be spent mastering the skill of writing words so they read properly on the page. If the book helped them lose 50 pounds, they’ll talk about it because people will praise them for losing all that weight, and sharing this information will raise their status among their friends.
Step 5: Edit your book. Most authors think the purpose of the introduction is to lay out and explain everything the author will talk about in the book. By breaking up that paragraph into its constituent sentences, you’re left with the ideas that must be explained and proved in order to make that argument. This is totally fine, of course. You have to remember that your book is competing with an infinite amount of other media, much of it free. You simply open the app, start the recorder, talk into your phone, when you are done hit save, and then send it to be transcribed, all from your smartphone. There’s finally a better way. The entire book is far too unwieldy at this point to try to do all in one place. By asking about specific events that triggered important changes — “tell me about the day you couldn’t pay your rent, and it caused you to sell your ideas on shirts” — you push to recount the specific incident that created the decision, not the rationalized story they have constructed afterwards. Usually, the individual transcriptions corresponding to each chapter should run anywhere from 3,000 to 5,000 words. As for music, pro-tools and cheap mics have replaced expensive studio equipment.
This is an example outline. You can’t justify spending the hundreds of hours over a year or more, away from your business to do it right.
This way, you have the structure on the top to always remind you of what your basic point is, and the text below, so it makes it very easy for you to do the next step.
Why not just edit the transcription directly?
Much faster. Instead of arguing with them, the best way to get them to understand is to ask them this question — “Picture your ideal reader describing your book to their friends at a party? What do they say? How do they talk about it?” We’ve found that this question helps the author see the content in the book from the reader’s perspective, and not just their own, and thus helps the author to position the book in a way that serves the interests of the reader.. These are easily manageable chunks to put in one Word document.
They actually have an app you can download on your smartphone. The approach can be at odds with their usual professorial manner. At all times, you should think like a potential reader. The reason we tell you to structure your main points below the chapters as questions is because this is how you will create the rough draft of your book through talking instead of typing.
Because the spoken word does not work well on the page, and trying to edit it actually makes it harder. Yes, this is tedious, but if you do this exercise, you’ll find that you can not only cut a lot of fluff out of your book, you can also make your book sharper and more refined, and you’ll be able to really hone in on what you are trying to say, and nail it.
But you still haven’t done it. It is actually an empirical fact that when people are in the mindset of talking to a totally inexperienced audience (i.e., an 8-year-old), that they give their best, most clear explanations. Note — In some cases, this may include adding content that isn’t in the transcript. You must be honest with yourself about what results are important to you or your book will fail — commercially, personally or both.
You probably aren’t writing your book just to write it. Either I would have a heart attack or I would simply kill myself.”
Think about it. Having someone else interview you forces you to elaborate and explicate, and makes you calm down and talk more casually, which leads to a better book.
Question/story prompts. There are many services that transcribe audio. you ever felt doing [what your book is about]?
Why are you writing this book? In essence, what result are you looking for the book to produce for you?
For example, if you want to speak at a major oil and gas conference, your audience is the people who book the speakers for that specific conference (and possibly the attendees). It should start by showing the reader the massive pain that accrues from not taking the advice or lessons in this book. It makes a huge difference. Remember — there’s no pressure since all of this will be heavily edited, so don’t try to filter your thoughts. The attention material will probably be difficult to identify if you think about it directly, but you can see it by noticing when you personally react to something or when you notice someone else reacting.
The first place to start with your book is the positioning.
Show them pain and pleasure — explain orientation material.
In order to get the results you want — no matter what they are — the book must find some sort of audience
A hot tip from someone in the supposely know can spread like wild fire until it makes its way to the betting windows. Besides the fact that the tipsters have generally not considered the other horses in the race, the trainer usually will not have the horse ready to go the distance in an actual race.
Many horse bettors and racetrack workers will often assume that a hot tip from someone who works at the track (jockey, trainer, owner, etc) is a good thing. If you think these proven losers have all of a sudden become master horsemen and exceptional horse trainers; you are mistaken. But why?
Mainly because the people who create the hot tips are concerned only with their own horse without consideration for the other horses in race. If you have not yet placed a bet, I suggest th you simply skip the race.
Many of the owners are biased in favor of their own horse to start with, followed by jockeys, trainers, jockey agents and exercise riders.
You will occasionally see certain trainers who have operated at a 10 percent win clip for their entire careers. Owners take advice from trainers, who in turn are influenced by jockeys and exercise riders. You can find out more on his website,www.bettingthehorsesonline.com
With three different and often misinformed groups influencing the odds at various stages of the process leading up to post time, it pays to do your homework and wait for the odds to work in your favor. These types of bets can make a horse a favorite in a short time. It is a money thing!
Many horse bettors like to watch for the big money bets that occasionally flow into the mutuel pools just before post time. Long gone are the days when a trainer would work a horse up to 10 times out of the gate and seven furlongs in company before staring in a six furlong race. These trainers get hot for a few seasons and disappear into oblivion. Thus, they tell all their close friends, who in turn tell everyone else, until all the connected money shows up at the windows. They may know their horse is feeling good, but they fail to take into account the competition in the race. Owners are also influenced by trainers who are trying some new medication or equipment on a horse, but you are better off looking at the program yourself for equipment changes. These hot tips can come from anyone including trainers, jockeys, exercise riders, owners, grooms, clockers, and hotwalkers. .
The most profitable approach is not only to become a proficient handicapper, but also to become adept at creating your own odds line.
Many trainers nowadays give their horses as few as three gate works before entering them in race, and you will rarely see a workout longer than six furlongs on a first-time starter. They are winning because of veterinarians and not because of their horse training! I suggest that you do not consider them a so called hot tip!
Another so called inside tip is when you are told to place a bet on a first time starter who has been working well. Now all of a sudden, they are winning 30 to 40 percent or higher. In fact, more often than not, they can be a disaster. Many of owners think that because their exercise rider or jockey tells them that their horse worked exceptionally well, that the horse will win. There are ther races!
ABOUT THE AUTHOR:
Richard Bleuze provides articles and information on the sport of horse betting. Despite the fact that these big late bets are often based on superior insider information and/or information products the general public does not have access too, it has been statistically proven that they predict success at about the same rate as the public. These tips are not usually hot
To learn more about the Ben Hogan Golf Swing and how to take your swing from the range to the course, John recommends you visit GolfSwingSecretsRevealed.com.
Once Hogan began playing by feel on the course his golf game took a quantum leap! He began to score, and score often… .
Hogan learned how to take his golf swing from the practice range to the course. He said this was like lifting a ton of bricks off of him, freeing him to use his imagination and instinct rather than his ego driven intellect.
What was the real secret to the Ben Hogan Golf Swing?
Everyone always thought (and still do) Hogan’s golf swing secret was the cupping of his left wrist at the top of the backswing which prevented him from hooking the ball – a demon he struggled with for a decade. He said he started winning major championships because he stopped being so mechanically minded on the course and began playing by “feel” and trusting his golf swing. 1 Golf Book Reviews and has published thousands of golf articles. Hogan started to trust his golf swing out on the golf course and eliminated all those mechanical thoughts preventing him from entering the winner’s circle more often. Hogan then told Rotella the reason he said this was because people wanted to hear something mechanical about the swing – so he gave them what they wanted to hear…
Hogan said you need to trust whatever golf swing you bring to the course and simply react to your target.
The result, 9 major championships!
Since the Ben Hogan golf swing at this point in his life was already fundamentally sound because of all those years of tireless practice, there was no need for him to think about his swing while under the extreme pressures of major championship golf.
Which was a lie!
Now you know the real secret to the Ben Hogan Golf Swing!
This is the “real” secret to the Ben Hogan Golf Swing!
John Lynch is owner of No.
Hogan went on to say it wasn’t until 1946 when he was 34 that he won his first major – the PGA Championship. The time to tinker with your golf swing is NOT out on the course but on the practice range… Bob Rotella (Doc) the sports psychologist stated in his book “Golf is Not a Game of Perfect” he interviewed Ben Hogan shortly before Hogan’s death in 1997. Rotella asked Hogan what the real secret to his golf swing was?
Hogan replied he always told people his “secret” was the cupping of his left wrist at the top of his backswing which eliminated the nasty hook he had early in his career.
The ones who depend upon luck or some other esoteric method are more like lottery players than handicappers, but the thing they all have in common is that all there money goes into the same pool and some from each group will be successful while many will not.
On the other hand, the ones who depend upon luck invest nothing but money and very little time.
There are thousands of people trying to make a living from horse racing by handicapping the horse races and then betting on horse races. If the success rate for handicappers is 5-10% then it is probably 1-2% for those depending upon luck.
For some people, horse racing handicapping is an intellectual sport and they prepare themselves and work hard at it. The only work they do is to walk into the club house and maybe read a simple list of horses and riders. There are many more people, perhaps millions around the world, trying to make money betting on horse races depending upon luck or some other system to be a winner.
The way you make money handicapping and betting on horse races is in finding a good bet.
Your chances of success are much greater if you educate yourself, prepare, practice, and work hard, but there are no guarantees. That edge is what separates gamblers from handicappers and is why, in the long run, handicappers win more, but in all fairness, they don’t just win it, they earn it.. The thrill of winning is probably pretty close to the same for each group, though the handicappers also have the satisfaction of working hard and getting rewarded for it.
The big advantage that the handicapper has over the gambler is that he or she has an idea of each horse’s chances of winning and therefore, how much a horse has to pay to win in order to make money on such bets in the long run
24, 1999. After 14 years of denials, Rose admitted he gambled, though never against the Reds, in his 2004 autobiography.
Former Cincinnati Reds manager Pete Rose prepares to speak at a news conference at Riverfront Stadium in Cincinnati, Ohio, Aug.
Pete Rose, 22, of the Cincinnati Reds, Feb. The Reds defeated the Yankees, 6-2.
Cincinnati Reds player Pete Rose (14) poses with his son, Pete Rose Jr., at the All-Star game at Yankee Stadium, New York City, July 19, 1977.
Cincinnati Reds star Pete Rose arrives in his Rolls-Royce to work out at the West Tampa baseball complex in Tampa, Fl., March 15, 1978. Fosse suffered a fractured shoulder in the collision. At right is Yankees player Graig Nettles (9). NBC was deluged by complaints from fans in the hours after Gray’s interview. Rose was given a lifetime suspension by the baseball commissioner with the opportunity to be reinstated in one year.
Former major league baseball player Pete Rose looks toward members of the media gathered outside the Marion Federal Prison after his release from the facility in Marion, Ill., Jan. 11, 1985. Both benches and bullpens emptied in the ensuing brawl.
Pete Rose of the Cincinnati Reds slides to third during eighth inning of game three in World Series action against the New York Yankees at Yankee Stadium in the Bronx, N.Y., Oct. Rose broke Ty Cobb’s record of 4,192 in the first inning.
Pete Rose, Cincinnati Reds manager, laughs with unidentified players in the dugout as Luis Quinones circles the bases at Shea Stadium with his second homer against the New York Mets in New York, July 6, 1989. Rose, whose gambling got him banned from baseball in 1989, said he feels his induction into the Hall of Fame is inevitable. 8, 1973. The commissioner’s office was investigating allegations Rose bet on baseball while managing the team. Most players had stopped their group workouts pending developments in that year’s baseball negotiations. It centered on Rose’s lifetime ban from the sport for gambling, and came minutes after Rose was announced as a member of baseball’s All-Century team.
Credit: AP/Michael Schwarz
Cal Ripken, left, Pete Rose, and Hank Aaron, right, are seen on the field after the three were named in some of the most memorable moments in baseball before the start of game 4 of the World Series in San Francisco, Oct. He served a five-month sentence for tax evasion.
Cincinnati Reds fans sit behind a sign in support of longtime Reds baseball star Pete Rose during the Reds’ game against the Detroit Tigers at Plant City Stadium, Plant City, Fla., March 24, 1996.
Baseball great Pete Rose trades a high five with five-year-old J.D. Standing behind him are his defense lawyers Reuben Katz, left, Robert Pitcairn Jr., center, and Robert Stachler. Looking on are the Reds’ third base coach Leo Durocher, and Cincinnati Reds’ next hitter Dick Dietz (2).
Pete Rose, left, of the Cincinnetti Reds swings at New York Mets shortstop Bud Harrelson after Rose failed to break up Harrelson’s double play in Game 3 of the National League Championship series at Shea Stadium, Oct. 22, 1980.
Phillies first baseman Pete Rose gestures as he talks about his one-year, $1.2 million contract at a news conference in Philadelphia, Pa., Nov. He returned to the city where he helped the Phillies win the World Series in 1980 to sign autographs at an annual Phillies-sponsored charity event.
Pete Rose is interviewed by NBC’s Jim Gray after the All-Century introductions during Game 2 of the World Series in Atlanta, Ga., Oct. 8, 1978.
A foul pop from Kansas City Royals batter Frank White is deflected by Philadelphia Phillies catcher Bob Boone as Phillies first baseman Pete Rose (14) moves in to make the catch in the ninth inning of a World Series game in Philadelphia, Oct. 7, 1991. 23, 2002, in Cincinnati.
. At right is Phillies president Bill Giles.
Montreal Expos player Pete Rose in congratulated by teammates Gary Carter and Argenis Salazar following his 4000th career hit during the Expo’s home opener against the Philadelphia Phillies, April 13, 1984.
Cincinnati Reds’ Pete Rose slams his record-breaking hit fly toward left field during a game against the San Diego Padres in Cincinnati, Ohio, Sept. 2, 1982. Cunningham at Veterans Stadium in Philadelphia, June 19, 1997. 24, 1989. 27, 1963. The rookie second baseman hit .273 to earn him the National League’s Rookie of the Year Award.
In the 12th inning of the 1970 All-Star Game in Cincinnati, Ohio, July 14, 1970, Cincinnati Reds’ Pete Rose slams into Cleveland Indians’ catcher Ray Fosse to score a controversial game-winning run for the National League team. The Reds beat the Mets 10-2.
Cincinnati Reds manager Pete Rose rubs his eyes while watching a game, March 24, 1989, in Plant City, Fla. 23, 2002.
Former Cincinnati Reds greats, left to right, Johnny Bench, Joe Morgan, Tony Perez, and Pete Rose, tip their hats to the crowd following a celebrity softball game at Cinergy Field, Sept. 20, 1976. Regular spring training facilities were also closed to the players.
Cincinnati Reds’ Pete Rose walks to the Reds dugout after he struck out in the ninth inning, ending his 44-game hitting streak, against the Atlanta Braves in Atlanta, Ga., Aug
But the state’s efforts have been stymied by a 1992 federal law that restricted sports betting to Nevada, the only state to allow betting on individual games, and three others that had approved limited multigame parlay pools.
Attendance and betting have fallen at New Jersey’s racetracks in recent years, and many officials and some lawmakers have strongly supported calls to add casinos and other expanded gambling opportunities.
Bettors wagered $2,264,176 at the track last year. But on-track handle fell to $1,519,687 this season, a decrease of 32.8 percent.
“There’s a horse shortage; all tracks are suffering the same things we are right now,” Drazin said. The tracks in the Mid-Atlantic region need to figure out a way to share the horse colony.”
There was $7,752,605 bet on races at Monmouth Park from bettors across the country this year. That’s down from more than $15 million last year.
Monmouth Park adviser Dennis Drazin says the decision not to allow a casino there and a shortage of horses in the Mid-Atlantic region is hurting the track, which is hosting a 57-day meet this year with live racing held on weekends and holidays.
The Asbury Park Press reports (http://on.app.com/280cqLk) that attendance and wagering were down big at the Oceanport racetrack over the three-day holiday weekend compared to last year.
Monmouth Park held live racing from Saturday through Monday and again hosted the Jersey Shore Food Truck Festival this year, but attendance was down to approximately 42,000. “The future is a circuit where we’re not all running against each other and all the tracks are better off. The track held a similar 58-day meet last year.
Sports betting also has been strongly opposed by the four major professional sports leagues and the NCAA, who feel it would damage the integrity of the games and lead to a higher incidence of game-fixing.. Last year, attendance was more than 60,000.
With Monmouth Park getting around 20 cents on every dollar wagered on-site, that means the track saw about $149,000 less in revenue this year.
OCEANPORT, N.J. (AP) — It was a rough Memorial Day weekend for Monmouth Park.
Monmouth Park also has been very involved in efforts to bring legal sports betting to New Jersey
The addiction gets on to the gamblers to such an extent that they fail to think wisely before acting. Addiction to gambling, coupled with substance abuse can make the gamblers physically abusive towards their family. This proves to be detrimental to their social and family life. On giving a serious consideration to the negative effects of gambling, we realize that it is best avoided.
? Over time, the practice of gambling starts becoming a habit and begins to have damaging effects at psychological, physical, and social levels. The addiction leads people to continue with gambling irrespective of whether they earn or lose in the deal. To add to the so-called merry atmosphere, gamblers often smoke or drink while playing.
? Gambling is practiced as a means of recreation. The greed never ends and they keep betting more and more. It can drag you into crime, gambling isn’t fun.
? Addiction to gambling has been linked with substance abuse. A study by the same university suggested that 73% of the individuals who are imprisoned are found to be problem gamblers.
? Research has shown that gambling can lead to harmful behavior in people. The effect is similar to that of having a drug or a drink, which is why gambling changes one’s mental state and mood.
? Studies show that children with a sibling or parent addicted to gambling, are more likely to take to substance abuse.
? Gambling can lead to criminal activities. Card games, coin tossing, and dice-based games are some non-casino based forms of gambling. Due to lost mental peace, they may ill-treat their spouse and children. The addiction has negative effects on one’s physical and mental health and it proves to be detrimental to one’s social, personal, and professional life. The National Council of Problem Gambling (NCPG) describes this type of gambling behavior as problem gambling.. Some take to substance abuse to supplement the high they get from winning huge sums while gambling. In the following sections of this Buzzle article, we discuss the negative effects of gambling on the individual and society.
Gambling refers to the betting of money on an event with an uncertain outcome, with the intent of winning additional wealth. They engage in gambling activities at the cost of their time with family and friends. Over time, it becomes a habit, and eventually an obsession that can’t be overcome. Rehabilitating the gambling addicts needs money and time, and the process is not very easy.
Mental and physical health problems, financial issues, and conflicts in the family are among the common negative effects of gambling. Betting is a mentally taxing activity, and as one goes on risking more and more money, anxiety starts building.
? Gambling at the cost of one’s job results in a decline in the quality of his professional life. The decision to gamble money is based on three parameters namely; how much to bet, the predictability of the event, and the conditions agreed upon, between the gamblers. The stress of risking huge amounts of money or the frustration after losing it can increase the tendency of abuse in gamblers. Sports betting and arbitrage betting are the other types. Six to eight million people in America are estimated to have a gambling problem.
? According to a study by the George State University, 50% of the problem gamblers commit crime. A recreational activity is supposed to be refreshing and relaxing, but something like gambling is contrary to the very purpose of recreation. It soon becomes a habit that can’t be broken.
? The stress from gambling may lead to health issues like ulcers, stomach problems, muscle pains, headaches, and problems with sleep.
? An Austrian study said that around 1 in 5 suicidal patients had a gambling problem.
? As gambling leads to increased criminal activities, in a way, gamblers add to the burden on prisons and the legal system.
Initially, one looks at gambling as a way to run away from life’s problems, or from stress, anger, and loneliness. Some go that way to forget the sorrow of losing big sums when gambling.
? They start borrowing money and take secret loans. Because of this, they land in worse situations and take the wrong decisions in life.
? The costs of treating compulsive gamblers are huge. Forget satisfaction or peace, it is not even refreshing in the real sense. Thus, gambling practices cause a huge financial burden on the families of the affected and on the society at large.
? Additionally, rehabilitation and public assistance systems are taxed.
? According to the University of New York, in people with alcohol use disorders, the chances of developing an addiction to gambling are 23 times higher.
? Children of parents who are problem gamblers or gambling addicts tend to feel abandoned and angry, further increasing stress and leading to strained family relations.
? According to a research by NCPG, 76 percent of problem gamblers are likely to have a major depressive disorder.
? Similar to how an individual keeps consuming substances like drugs or alcohol to experience an altered mental state, he continues to gamble. It only leads to a thoughtless expenditure of money and valuables.
Compulsive gambling leads to bankruptcy
? Apart from absence at work and drop in efficiency, a common observation is that gamblers tend to steal money and engage in fraudulent behavior to recover from financial losses incurred when gambling, or to get more money to bet.
Games offered in casinos, table games like poker, Red Dog, and Blackjack, as also electronic games like Slot Machine and Video Poker are some of the common types of gambling. Their debt keeps building and it may reach an amount that exceeds their capacity to repay.
? People continue gambling with the greed of winning money. It causes a decline in his/her work performance, thus hampering his career.
? People who fall prey to gambling tend to remain away from their families and waste money on other bad practices. Thus, gambling can have a grave economic impact which is difficult to reverse.
You could be at gunpoint or holding the gun. The skill of a gambler lies in weighing the three parameters and making a decision about what amount should be staked and how much should be expected in return.
? Problem gamblers and addicts tend to abuse their family members. They tend to stay away from their near ones, resulting in distrust between them and their loved ones.
? The addiction to gambling can leave one in bankruptcy. The two go hand in hand. When they lose the money they had risked, they further gamble to recover the lost amount and it becomes a vicious circle even they can’t escape from.
? A majority of those addicted to gambling have substance abuse disorders.
? Gambling has proven to be addictive. According to the National Research Council, 10 to 17% of the children of problem gamblers have been abused and so have 25 to 50% of the partners of problems gamblers.
Gambling = Thoughtless Expenditure + Waste of Time
? Gamblers often exhibit mood swings and a strangely secretive behavior. Their mental state can even lead to suicidal tendencies.
? Substances of abuse are served at casinos and in pubs and clubs, thus increasing the likelihood of gamblers consuming them. The addiction robs a gambler of all the productive time and leads to loss of efficiency at work. In spite of the losses incurred, they continue betting
The ability to win a lot of money for a small bet is the primary reason parlays are popular with a number of sports bettors.
Money Line Parlays
Money line parlays do not use fixed odds, because the odds of winning vary greatly from team to team. In parlays involving point spreads, the payoff are fixed, while money line parlay payoffs are determined by the odds of each team.
Point Spread Parlays
The odds on a typical parlay involving point spreads, including totals, are generally something like:
To read more about parlays, see Parlay Cards, Finding Correlated Parlays or Betting Baseball Parlays.
2 teams 13-5
3 teams 6-1
4 teams 10-1
5 teams 25-1
6 teams 40-1
7 teams 75-1
8 teams 150-1
9 teams 300-1
10 teams 600-1
For example, say a bettor likes the Los Angeles Dodgers +160 and the Chicago Cubs -130. The difference in the payoff is because the Dodgers were not given very good odds of winning.
Are Parlays Good Bets?
The simple answer is no, especially parlays involving point spreads or totals. The chances of the a good baseball team with its ace pitcher on the mound defeating a mediocre opponent are going to be greater than 50 percent and the payout if the parlay hits will reflect this.
Money line parlay payoffs are calculated on the odds of the game, so there is no advantage or disadvantage in playing them.
. Simply stated, a parlay is a collection of two or more sides or totals that you bet on and all of them must win in order for you to win your bet. Contrast the $36 profit with the $26 profit a bettor winning a $10 point spread parlay on two teams would make. If you place a four team parlay, going 3-1 is no different than going 0-4. For example, the true odds of winning a three-team parlay when making point spread wagers are 7-1, while the payoff is only 6-1, and it gets worse as you bet more teams. If the bettor places a $10 wager, they essentially would have a $10 bet on the Dodgers +160, which will return $26 should the Dodgers win, and then would have $26 on the Cubs -130. All of your bets must win, or at least tie, in order for you to win.
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To put it in simple terms, money line parlays take the amount of your bet and place all of the money on one team and if that team wins, recalculates your bet amount on the next team, again placing your entire wager on that team.
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What this means is that a bettor making a wager on a five-team parlay stands to win $25 for every $1 if all of their games win, while a correct eight-parlay will payout $150 for every $1 wagered. The true odds of hitting a 10-team point parlay are 1,023-1, while the payoff is generally around 600-1, so a parlay bettor is at a big disadvantage.
Bettors should stick with straight bets when betting against the point spread or totals as it’s difficult enough to pick one winner, let alone two or more games and the odds you are asked to try and beat are nearly impossible to overcome in the long run.
By Allen Moody
Sports Betting – How to Bet Parlays
Parlays are by far the most popular of the exotic wagers, as they offer the potential for a big payout from a small wager. There are basic types of parlays, those wagered against the point spread and those wagered using the money line. While a parlay made against the point spread assumes a 50-50 chance for each team of winning, money line parlays do not. Should the Cubs also win, the bettor has turned a $10 wager into $46. The payoffs a bettor will receive should they win are quite different in the two. The odds of the payoff are much less than the true odds